Monday, September 15, 2014

Conversations on the Bench

















As you excitedly await the start of our October series, here's something to whet your appetite:
Check out this terrific new movie made right here in Bismarck. It's filled with compelling conversations with local people and stars a soon to be famous bench.

The film shows in the Russell Reid auditorium of the North Dakota Heritage Center at 2:00 on Sunday, September 21. Admission is FREE and refreshments will be served.

Tuesday, September 2, 2014

2014 October Film Series

 
 
 
 
 
 
 
 
 
 
 
October 2 - A Hard Day's Night (1964, UK, Janus Films) - The Beatles!
October 9 - Twenty Feet from Stardom (2013, USA) - Oscar winning documentary about backup singers
October 16 - The Freshman (1925, USA) - Silent classic with Harold Lloyd
October 23 - Ida (2013, Poland) - Striking black & white Polish film
October 30 - Only Lovers Left Alive (2013, UK, Sony Pictures Classics) - Vampire film just in time for Halloween

Shows at the Grand Theater on Thursdays at 3:00 and 5:30. $10.00 gets you into all five films!!

Saturday, April 5, 2014

Tokyo Story (April 10) - Final film of the series














Tokyo Story (東京物語 Tōkyō Monogatari?) is a 1953 Japanese film directed by Yasujirō Ozu. It tells the story of an aging couple who travel to Tokyo to visit their grown children. The film contrasts the behavior of their children, who are too busy to pay them much attention, and their widowed daughter-in-law, who treats them with kindness. It is often regarded as Ozu's masterpiece, and has appeared several times in the British Film Institute lists of the greatest films ever made.

It was inspired by the American film Make Way for Tomorrow (1937).

Review (slight spoilers)

Wednesday, April 2, 2014

I'm a Cyborg, but that's OK (April 3)

The film takes place mostly in a mental institution filled with an eclectic menagerie of patients. Young-goon, a young woman working in a factory constructing radios and who believes herself to be a cyborg, is institutionalized after cutting her wrist and connecting it with a power cord to a wall outlet in an attempt to "recharge" herself, an act that is interpreted as a suicide attempt. Her delusion is characterized by refusing to eat (she instead licks batteries and attempts to administer electric shocks to herself), conversing almost solely with machines and electrical appliances and obsessively listening to her transistor radio at night for instruction on how to become a better cyborg. Her apathetic mother is interviewed by the institute's head doctor, to determine the roots of Young-goon's psychosis; despite claiming ignorance of her daughter's delusion (it is later learnt she knew but was too busy to make her seek help), she reveals that Young-goon's mentally ill grandmother had previously been institutionalized for delusions of being a mouse, a trauma that sparks Young-goon's own lapses from reality. As a result, she frequently fantasizes of finding her grandmother and seeking revenge on the "men in white" who took her away...

Trailer

Review

Monday, March 10, 2014

Much Ado About Nothing (Mar. 13)











A modern retelling of Shakespeare's classic comedy about two pairs of lovers with different takes on romance and a way with words--from the director of The Avengers.

Review

Friday, February 28, 2014

My Neighbor Totoro (Mar. 6)

In 1958 Japan, university professor Tatsuo Kusakabe and his two daughters, Satsuki and Mei, move into an old house to be closer to the hospital where their mother Yasuko is recovering from a long-term illness. Satsuki and Mei find that the house is inhabited by tiny animated dust creatures called susuwatari—small, dark, dust-like house spirits seen when moving from light to dark places.[note 1] When the girls become comfortable in their new house and laugh with their father, the soot spirits leave the house to drift away on the wind. It is implied that they are going to find another empty house—their natural habitat.

One day, Mei sees two white, rabbit-like ears in the grass and follows the ears under the house. She discovers two small magical creatures who lead her through a briar patch and into the hollow of a large camphor tree. She meets and befriends a larger version of the same kind of spirit, which identifies itself by a series of roars that she interprets as "Totoro".[3][note 2] She falls asleep atop the large totoro, but when Satsuki finds her, she is on the ground in a dense briar clearing. Despite her many attempts, Mei is unable to show her family Totoro's tree. Her father comforts her by telling her that this is the "keeper of the forest," and that Totoro will reveal himself when he wants to...

Roger Ebert's Great Movies review.

Saturday, February 22, 2014

No (Feb. 27)












No is a 2012 Chilean drama film directed by Pablo Larraín. The film is based on the unpublished play El Plebiscito, written by Antonio Skármeta. Mexican actor Gael García Bernal plays René, an in-demand advertising man working in Chile in the late 1980s. The historical moment the film captures is when advertising tactics came to be widely used in political campaigns. The campaign in question was the historic 1988 plebiscite of the Chilean citizenry over whether general Augusto Pinochet should have another 8-year term as President.

At the 85th Academy Awards the film was nominated for the Best Foreign Language Film Oscar.



Read a review.